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Past Exhibitions


August 28–January 17, 2016

Constructing the Utah Landscape, an interactive companion exhibition to The British Passion for Landscape, exposes the many tools artists use as they approach the genre. Through a variety of hands-on activities, visitors can experiment with artistic techniques on replicas of the Utah scenes on view in the gallery. From shifting the horizon line to using colored filters, visitors can manipulate the key elements of a landscape-assigning the meaning and mood and even the season to an artwork.

This exhibition highlights works from the UMFA permanent collection by Maynard Dixon, V. Douglas Snow, and LeConte Stewart, among others. It features a wide range of artistic styles and media, from traditional to abstract, including film and sculpture. By exploring these techniques, visitors will better understand and relate to the artist's process and more fully experience and appreciate the works on view throughout the UMFA.



October 3, 2014January 17, 2016

American sculptor Tony Feher has been changing the way we see the world for the past three decades. With a hyper-awareness of the formal qualities of everyday objects-bottles, tape, plastic bags-Feher turns unconsidered, often-discarded materials into poetic sculptures and elegant installations. For this exhibition, the UMFA has invited Feher to help us re-imagine the architecture of our Great Hall with a brand new site-specific installation.

The exhibition is sponsored by Nancy and David Gill, the University of Utah Department of Art and Art History, XMission, and an anonymous donor.



September 17, 2015–January 10, 2016

Brian Bress: Make Your Own Friends, jointly organized by the UMFA and the Museum of Contemporary Art Denver, brings together video, sculpture, and works on paper from the last ten years of Bress's career. The Los Angeles-based artist is known for his fictional anthropomorphic characters, which he brings to life out of thrift-store finds and upholstery foam with casual doodles, cartoon animation, paint,  and video cameras. Brian Bress: Make Your Own Friends is jointly curated by Whitney Tassie, UMFA curator of modern and contemporary art, and Nora Burnett Abrams, MCA Denver curator.

The exhibition in Salt Lake City is the twelfth installment of the UMFA's salt series of new work by emerging contemporary artists from around the globe and is made possible by The Andy Warhol Foundation for the Visual Arts and the UMFA Friends of Contemporary Art (FoCA). The exhibition will travel to the Museum of Contemporary Art Denver in February 2016.



August 28December 13, 2015

Drawn from the remarkable collection of Amgueddfa Cymru-National Museum Wales, The British Passion for Landscape: Masterpieces from National Museum Wales offers visitors a rare opportunity to follow, in a single span, the rise of landscape painting in Britain through works from such masters as Richard Wilson, Thomas Gainsborough, J. M. W. Turner, John Constable, and Claude Monet. The exhibition unfolds a story that runs from the Industrial Revolution, through the eras of romanticism, impressionism, and modernism, to the postmodern and post-industrial imagery of today. The work references both the poetry of landscape and the environmental threats posed by industrialism-key themes that persist in British art today and that will resonate with Utah audiences. Curators are Tim Barringer and Oliver Fairclough.

This exhibition is organized by the American Federation of Arts and Amgueddfa Cymru-National Museum Wales. The exhibition tour and catalogue are generously supported by the JFM Foundation, Mrs. Donald M. Cox, and the Marc Fitch Fund. In-kind support is provided by Barbara and Richard S. Lane and Christie's.

Presenting Sponsors: Katherine W. Dumke and Ezekiel R. Dumke Jr. Special Exhibitions Endowment

George and Dolores Eccles logo      Stewart Foundation logo



February 27August 2, 2015

The eleventh edition of the salt series features new work by Duane Linklater, a Canada-based multimedia artist of Native American heritage. Through installation, performance, film, photography, and other media, Linklater studies the migration and exchange of ideas, language, and memory and reveals many inconsistencies in knowledge and history. He often works collaboratively and appropriates liberally, challenging modern perceptions of authorship and authenticity. Through his salt exhibition, Linklater directly engages the UMFA's permanent collection to explore physical and conceptual processes of translation and the cultural information that is lost therein.

Duane Linklater is Omaskêko Cree from Moose Cree First Nation in Northern Ontario. Born in 1976, he holds bachelor's degrees in fine art and Native studies from the University of Alberta (2005) and a master's degree in film and video from the Milton Avery Graduate School of Arts at Bard College (2012). Linklater won the Sobey Art Award, Canada's preeminent prize for emerging artists, in 2013. He lives in North Bay, Ontario.

salt 11: Duane Linklater is made possible through a generous grant from The Andy Warhol Foundation for the Visual Arts. The salt exhibition series is sponsored in part by the UMFA Friends of Contemporary Art (FoCA). Additional support for salt 11 is provided by the University of Utah J. Willard Marriott Library.


December 19, 2014–July 26, 2015

The presence of text in art has greatly increased in the modern era, but the relationship of language and visual art have a much longer history. [con]text examines this history as represented in the UMFA's permanent collection. From an ancient Egyptian wall relief to medieval illuminated manuscripts to the contemporary practices of John Cage, Bruce Nauman, and Willie Cole, this exhibition looks at the way visual artists have harnessed the power of language to document, to inspire, to inform, and to persuade. [con]text also explores how language itself constantly evolves, leading to both the loss and creation of meaning.

In conjunction with the exhibition, the UMFA is hosting a writing contest for U of U undergraduate students. Winners will receive cash prizes, and their work will be made available in the galleries and presented at UMFA's Open Mic on Thursday, April 2.



February 6, 2015–June 28, 2015

Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum's pioneering collection of Latino art. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez; Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for Treasures to Go, the museum's traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Presenting Sponsor:  

Sponsors: S. J. and Jessie E. Quinney Foundation | Ray, Quinney & Nebeker Foundation

Supporting Sponsor: WELLS FARGO

In-Kind Sponsor:  Community Partner:    Media Sponsor: 


September 12–February 8, 2015

The presence of text in art makes imprecise, to-scale replicas of objects like books, photographs, chairs, and motorcycles out of wood and paint to investigate the creation of value and economic systems. Often inserting his handmade facsimiles into the commercial realms of their real commodity counterparts, Bakker circumvents the art market, challenges postmodern perceptions of authorship and authenticity, and questions the distinction between originality and appropriation.



October 24, 2014January 11, 2015

This triennial exhibition showcases the newest work by the University of Utah's Department of Art and Art History faculty and celebrates the working artists who inspire the community through their creative output and their teaching.



August 8November 30, 2014

A companion exhibition to Moksha: Photography by Fazal Sheikh, Krishna: Lord of Vrindavan explores the Hindu god Krishna through sacred and secular artworks, dating from the 11th century to the 20th, from the Museum's Asian art collection. Krishna promised followers that through bhakti (devotion) to him, one could gain moksha (salvation).



July 11–November 30, 2014

Moksha: Photography by Fazal Sheikh weaves together the artist-activist's portraits and the stories of a community of widows in the Hindu pilgrimage site of Vrindavan. A marginalized segment of Hindu society since ancient times, widows, many of them dispossessed of home and family, have few places of sanctuary. In Vrindavan, a city holy to the Hindu god Krishna, these women chant and pray every day in the hopes of obtaining moksha, release from the constant cycle of death and rebirth. The exhibition, comprising forty photographs by Sheikh, is on loan from the Princeton Museum of Art. Fazal Sheikh has worked as a photographer since graduating from Princeton University in 1987. Primarily through portraits, he brings attention to marginalized peoples and groups around the world. His other projects include Ladli, A Camel for the Son, and Ramadan Moon. He has won numerous awards including the Henri Cartier-Bresson International Grand Prize and a MacArthur Fellowship.

On loan from Princeton University Art Museum.



May 30–September 28, 2014

Northern Utah’s Bingham Canyon Mine, the largest man-made excavation on earth, has been a source of fascination and inspiration for artists around the country since the mine’s earliest days. Spanning 1873 to the present, this exhibition presents paintings, drawings, prints, and photographs that examine the mine from a variety of perspectives, tracing its physical development as well as its effects on the local economy, culture, environment, and people. Featured artists include Jonas Lie, William Rittase, Andreas Feininger, Jean Arnold, Edward Burtynsky, Robert Smithson, and the Center for Land Use Interpretation, among others. The exhibition also includes photographs of the mine after the massive landslide of spring 2013, the effects of which continue to impact both the mine’s operations and the local economy.

Presenting Sponsor: 

Supporting Sponsors: S. J. and Jessie E.Quinney Foundation | Ray, Quinney & Nebeker Foundation | UMFA Friends of Utah and Western Art

Community Partner:



April 12, 2013–August 24, 2014

A fascinating work of language sculpture by groundbreaking contemporary artist Lawrence Weiner is now on view in the UMFA G.W. Anderson Family Great Hall. Purchased by the Museum in 2011 with funds from the Phyllis Cannon Wattis Endowment for 20th Century Art, BENT TO A STRAIGHT AND NARROW AT A POINT OF PASSAGE (1976) is an important addition to the UMFA's permanent collection of contemporary art and represents a canonical moment in art history.

Click HERE for more, including a time-lapse video of the installation process.


January 17–August 17, 2014

"What's the point of living offline anymore?" Jillian Mayer asks in her catchy sing-a-long MegaMega Upload. The artist debuted this hip-hop song on her YouTube channel in January 2013 before it premiered as part of her short film #PostModem at the 2014 Sundance Film Festival. Since then, the video has received 21,000 views and has inspired more than 160 viewer comments. In 2011 Mayer uploaded her song and video I Am Your Grandma, and it's since received 2,445,525 views, 20,895 likes, 1,601 dislikes, and 7,970 viewer comments-not to mention the countless spoofs it's inspired, including choreographed dances and remakes by five-year-olds, an Internet troll, college students, a fake plastic kitty, Darth Vader, Wes Borland, and a Cabbage Patch Kid.

But, what does it mean to upload your soul to the Internet or to leave a timeless video message for your unborn grandchild? Cloaked with humor, fast editing, and pop soundtracks, Mayer's videos are designed for mass appeal but ask big questions about human connection and manufactured realities. Her work lives in, and is activated by, viewer participation. She investigates the (im)possibility of authenticity and the multiplicity of authorship by co-opting the visual language and tools of Google, online chat boards, and viral videos. Indebted to the cultural constructions of the 1980s sitcom but looking ahead to the infinite implications of the Internet, Mayer uses photography, video, drawing, installation, and performance to tease out the pathways and pitfalls of postmodern identity formation while considering our increasing integration with the web and questioning the distinction between reality and the virtual world.

Jillian Mayer (American, b. 1984, lives Miami) received her BFA from Florida International University in 2007. In 2010 her video Scenic Jogging was one of twenty-five selections for the Guggenheim's YouTube Play: A Biennial of Creative Video and was exhibited at Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin, Germany. Recent solo projects include Love Trips at World Class Boxing, Miami (2011) and Precipice/PostModem at Locust Projects, Miami (2013). In 2012 and 2013 Mayer's short films were selected to premiere at the Sundance Film Festival. In 2013 Mayer was in residency in Berne, Switzerland, as a Zentrum Paul Klee Fellow and in New York City as an NEA Southern Constellation Fellow.



September 13, 2013–July 27, 2014

Exploring Sustainability is an exhibition of new projects that explore how principles of ecological sustainability and affiliated design strategies are applied to creative thinking and to the design process. During Sustainable Design Practice, the University of Utah studio art course in which this work was created, students gained an overview of the environmental impacts of design and production practices as well as the processes and methods associated with more sustainable approaches. The projects created over the course of the spring 2013 semester are inspired examples of how students integrated sustainable design into their own creative process. The exhibition is intended to stimulate further dialogue among the university and local communities about issues related to sustainability.



December 13, 2013–June 15, 2014

Alfred Lambourne walked the Mormon Trail in 1866, at age sixteen, to Salt Lake City, sketching during much of the route. By the 1880s he had become a well-known local artist who painted and traveled with Thomas Moran and Albert Bierstadt on their many visits to Salt Lake City. Of the varied landscapes he painted, nothing held his imagination so thoroughly as the Great Salt Lake. Captivated by it, he painted many views of Black Rock, the infinite and varied moods of the weather, and the shipwrecks and the drama of the lake. In 1887 he realized his dream of perfect solitude by homesteading Gunnison Island.

In his book Our Inland Sea: The Story of a Homestead he described the first day of his fourteen-month exile: "Ghostly, wrapped in its shroud of snow, my island stands white above the blackness of unfreezing waters. What have I done? Although I had lived these days by anticipation, no sooner had the sails of the departing yacht vanished below the watery horizon …than I realized at once, and with a strange sinking of the heart…the savage poem around me." This exhibition will explore the art-roughly twenty-five paintings-the many sketches, and the poetry and writing of this unique and beloved pioneer artist and his obsession with the landscape of our "inland sea"—the Great Salt Lake

Supporting Sponsor: Charles Redd Center for Western Studies



January 24–May 4, 2014

The Utah Museum of Fine Arts commissioned the Center for Land Use Interpretation (CLUI), a Wendover/Los Angeles-based research organization concerned with how the nation's lands are apportioned, utilized, and perceived, to produce a "landscan" of the Great Salt Lake. Filmed from helicopters, CLUI landscans are dynamic, crystal clear, gyro-stabilized high-definition videos that function as portraits of places. They represent major elements of continental land use, depicting man-affected landscapes so large the only way to visually capture them is with one long, continuous, aerial shot.  Accompanied by subtle ambient sound, The Great Salt Lake Landscan flies over brilliantly colored salt concentration ponds and a landscape often described as otherworldly.



January 24–May 4, 2014

JG is a new film project by internationally recognized artist Tacita Dean. It is inspired by her correspondence with British author J. G. Ballard (1930–2009) regarding connections between his short story ‘The Voices of Time' (1960) and Robert Smithson's iconic earthwork and film, Spiral Jetty (both 1970). JG tries to respond to Ballard's challenge-posed to Dean shortly before he died—that she should treat the Spiral Jetty as a mystery that her film would solve. Employing her patented technique of "aperture gate masking," in which she uses stencil-like masks to alternately cover up and re-expose her film, Dean combines images shot at different locations and times to generate visual and conceptual juxtapositions within the space of the individual 35mm frame. Shot in central California, Utah's desert, the Great Salt Lake, and even the Hogle Zoo, the film intersperses a variety of salt-encrusted landscapes, machines, and animals with a host of abstract shapes and voids. The viewer experiences time and place in ways that parallel the effects of Ballard's fiction and Smithson's earthwork and film. JG reaches across decades and disciplines, tracing the connection between three distinct artists and their interrelated work.

JG was commissioned by Arcadia University Art Gallery and funded by The Pew Center for Arts & Heritage and is presented at the UMFA in collaboration with the Salt Lake Film Society.

In collaboration with:     Special thanks to Sundance Institute for their support.



The Highlights Wall in the UMFA's entrance showcases the Collections department's textile re-cataloguing project. This mini-exhibition features two textiles from the permanent collection and an informational video about the project and the Museum's important preventative preservation work.



August 2, 2013–January 5, 2014

salt 8 features the work of Shigeyuki Kihara, a prominent artist based in New Zealand. Born in 1975 in Samoa to a Buddhist Japanese father and a Christian Samoan mother, Kihara investigates the complexities of cultural identity, colonialism, representation, gender roles, and spirituality through performance, photography, and video. In the UMFA's salt gallery, Kihara presents large-scale looping projections of her 2012 videos Galu Afi and Siva in Motion. Inspired by the traditional Samoan Taualuga dance, both videos are lamentations for the loss caused by the 2009 tsunami as well as poetic meditations on Samoa's colonial past and future climate change. Adjacent to the salt gallery, Kihara stages a photographic intervention with our Pacific Island collection.



September 5, 2013–January 5, 2014

This exhibition presents selections from the largest collection of contemporary prints in the United States. Spanning the past five decades, it features works by thirty-nine artists from Jasper Johns and Sol LeWitt to Damien Hirst, Kiki Smith, and Kara Walker. Under Pressure charts an array of artistic and social concerns, from minimalism to pop and conceptual art, and more recent works addressing race, gender, and identity.



August 30–November 10, 2013

Martha Wilson's career, spanning forty years, encapsulates the contestations inherent in feminist and socially engaged practices. In her work and throughout her life, Wilson has explored how identity and positioning are not just self-defined or projected, but also negotiated. The complex nature of her work encompasses her activities as an artist, creating conceptually-based performances, videos, and photo-text compositions since the early 1970s; her position as the founder and director of the non-profit space Franklin Furnace; and her collaboration with other women to form the group, DISBAND among many other things. Wilson's attitude to collaboration and openness to constantly redefining both personal and collective identities make her a central figure with which to collaborate on producing this exhibition that explores current approaches toward feminism, activism, and collaborative practice.

Martha Wilson: Staging the Self is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York. Guest curator for the exhibition is Peter Dykhuis. The exhibition, tour, and catalogue are made possible in part by the National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts, The Horace W. Goldsmith Foundation, The Cowles Charitable Trust, the ICI Board of Trustees, and ICI Benefactors Barbara and John Robinson.



May 17, 2013–August 25, 2013 

This hands-on, interactive exhibition, in which visitors create the artwork themselves, is inspired by the idea that mark-making is a fundamental human impulse and that there is no wrong way to do it. UMFA educators developed five drawing stations to encourage visitors' creativity: participants can contribute to a chalkboard drawing Museum staff have begun, do free drawing directly on a coffee table, draw from objects in the Museum's permanent collection, create drawings with tape and paper, or contribute to a "metamorphosis" scroll drawing that will take shape over the course of the exhibition and incorporate the creativity of all participating artists. Visitors can also draw inspiration from I See the Fish, Finally, a collaborative, experimental wall drawing created by eight students from the University of Utah art department, who created the work during a three-day drawing "marathon" before the exhibition opened.

Click HERE to view a time-lapse video of the Drawing Marathon.



February 15August 11, 2013

Bierstadt to Warhol: American Indians in the West is an ambitious exhibition comprising more than 100 oil paintings, sculpture, and works on paper drawn primarily from the Diane and Sam Stewart Collection. It examines depictions of American Indian identity (by both natives and non-natives) in a diverse array of styles: from the traditional European schools to Modernist abstraction and conceptual renderings of cultural motifs. Subject matter focuses on the Pueblo people of Taos and Santa Fe, New Mexico but other important and impactful portraits of American Indians are also included. Artworks range in tone from the romantic and ideal to the utterly real, sometimes taking on sensitive subject matter that is often inherent to contemporary American Indian identity. This exhibition negotiates the devices and implications of portraiture as a historical genre, to show that a portrait can either fashion a mythologized persona or an authentic personal dynamic that speaks to lived experience.

Presenting sponsor: Sam & Diane Stewart Family Foundation
Leadership Sponsors:Wasatch Advisors | UMFA Friends of Utah and Western Art | Naoma Tate | Zions Bank
Supporting Sponsors:The Mark and Kathie Miller Foundation | Lynn and Tom Fey | Kem and Carolyn Gardner | Jack and Jodi Livingood
Partners: Fine Art Connoisseur Magazine | Benjamin and Lisa Logue | John and Joan Firmage | Barabino Huebner Fund at the Community Foundation | Jacobsen Lake Foundation | Michael and Donna Weinholtz


Mike Disfarmer: Cleburne County Portraits

January 24, 2012July 14, 2013


The Coen Brothers, Ralph Lauren and guitarist Bill Frisell are just a few artists who have found inspiration in the photographs of Mike Disfarmer. A small town photographer from Heber Springs, Arkansas, Disfarmer used glass plate negatives to create snapshot-size photographs as keepsakes for the local community. The stark minimalism of his studio backdrops, especially those used during the 1930s and through the war years, effectively isolate his subjects and in doing so create intimate, deeply human portraits of them. The dignity of hard work and the vagaries of rural life can be read in the faces and demeanor of the many people who sat for his "penny portraits."


salt 7: Lynette Yiadom-Boakye

February 21, 2013–June 23, 2013


SALT 7: LYNETTE YIADOM-BOAKYE is the seventh installment in the Museum's series of exhibitions featuring new and innovative art from around the world. For her first solo exhibition in the western United States, British artist Lynette Yiadom-Boakye will show never-before exhibited oil paintings. Employing a palette and brushwork not unlike that of traditional western portraiture, Yiadom-Boakye's luscious, gestural paintings consider the role of the black figure, as both subject and author, in the art historical canon. Her ambiguous portraits, composed from various sources and imagination, are purposely void of social, economic, and spatial clues. However, her fictitious subjects often engage the viewer with a direct glance or a furtive grin, projecting agency and inviting viewer interpretation.


Sponsored in part by Nancy and Dave Gill with additional support from Noel Kirnon.


For more information about the salt series click HERE.



September 21, 2012–April 21, 2013

5 Blocks is an exhibition of youth artwork created in collaboration with UMFA educators by students at Hawthorne Elementary (Salt Lake City School District) and Granger High School (Granite School District). By investigating a five block area near their school, students demystified how we shape the spaces we live in and how those spaces shape us. Through a variety of media, this exhibition shares with viewers what students discovered when they left the classroom and got a chance to engage with the city. During the planning of this exhibition UMFA educators consulted with Damon Rich, a nationally recognized designer and artist who currently serves as the Urban Designer for the City of Newark, New Jersey.

Sponsor: C. Comstock Clayton Foundation



September 28, 2012–March 18, 2013

Dale Nichols is well known as the fourth major Regionalist artist, alongside Grant Wood, Thomas Hart Benton, and John Stueart Curry. Their work, created in the Midwest during the Great Depression, defined a period in American art when artists turned toward the land and known narratives in hope of creating uniquely American themes and styles of art.

The UMFA is delighted to offer Dale Nichols: Transcending Regionalism, an exhibition spanning much of his long career. Nichols' early paintings focused on the often-difficult relationship between Midwest farmers and their land. His stylized landscapes and red barns, representing both shelter and sustenance, held images of hope for a struggling nation and honored the agrarian ideal. By the 1940s Nichols indulged his wanderlust, traveling repeatedly to Alaska and spending extended periods of time in Guatemala and Mexico. Paintings from this period are represented in this exhibition as well.

Dale Nichols: Transcending Regionalism is a traveling exhibition organized by the Bone Creek Museum of Agrarian Art and curated by Amanda Mobley.

Sponsor: S.J. and Jessie E. Quinney Foundation | UMFA Special Exhibitions Council | Ray, Quinney & Nebeker Foundation



October 26, 2012–February 10, 2013

Emre Hüner's (Turkish, b. 1977, lives Berlin) multidisciplinary practice incorporates drawing, sculpture, video and built environments as well as found objects, artifacts, and samples. By juxtaposing these different objects and practices, he constructs a type of fragmented archive of the past and the future, of fact and fiction, of the manmade and the natural. His non-linear approach and widely varied references open a space for particular moments to be imagined. Questioning ideas of progress and the failure of modernity, his work invites viewers to draw their own connections and create their own narratives. While he touches on problematic political relationships and contentious issues, he does so by mixing independent references that combine to present mythical, yet recognizable, events. salt 6 is the debut of Hüner's 2-part film and installation Aeolian Processes.



October 19, 2012–January 20, 2013

Nancy Holt: Sightlines will offer an in-depth look at the early projects of this important American artist whose pioneering work falls at the intersection of art, architecture, and time-based media. Since the late 1960s, Holt has created a far-reaching body of work, including Land Art, films, videos, site-specific installations, artist's books, concrete poetry, and major sculpture commissions. Nancy Holt: Sightlines showcases the artist's transformation of the perception of the landscape through the use of different observational modes in her early films, videos, and related works from 1966 to 1980. With her novel use of cylindrical forms, light, and techniques of reflection, Holt developed a unique aesthetics of perception, which enabled visitors to her sites like Sun Tunnels (1973-76), located in Utah's Great Basin, to engage with the landscape in new and challenging ways.

Nancy Holt: Sightlines is a traveling exhibition organized by the Miriam and Ira D. Wallach Art Gallery, Columbia University and curated by Alena J. Williams. Major support for the exhibition and its programs is provided by the Graham Foundation for Advanced Studies in Fine Arts and the National Endowment for the Arts.

CLICK HERE for events, directions to Sun Tunnels and more.



October 5 - December 30, 2012


Whether by contemplating the apparent horizon, personal horizons, or the horizon of the book as a binding or an object, this exhibition showcases the current work of the members of the Guild of Book Workers while offering a glimpse into what is just beyond. Guild of Book Workers members were invited to interpret "horizon" as broadly or as narrowly as they wish.



December 1, 2012


On Saturday, December 1, 2012 the Utah Museum of Fine Arts (UMFA) will participate in its annual observance of World AIDS Day by covering a selected work of art from the permanent collection. This year, the UMFA has chosen to conceal its Auguste Rodin bronze sculpture, Female Torso (V & A), located in the second floor European gallery. The entire sculpture will be covered with a black cloth during visiting hours in recognition of Day With(out) Art, a global event that coincides with World AIDS Day and aims to acknowledge the complex issues surrounding the lives of individuals living with HIV or AIDS. The "absence" of this extraordinary work will serve as a reminder to Museum visitors of the fallen victims to the disease who are now absent, as well as those who continue to suffer from the epidemic and crusade for a cure. The UMFA joins thousands of other institutions on this day, December 1, 2012, in using art to honor individual legacies, commemorate personal loss and to underline the necessity of increased awareness and action to combat the ongoing AIDS epidemic.

Speed: The Art of the Performance Automobile

June 2 - September 16, 2012

This special exhibition explores the art of the automobile, featuring antique and vintage racing cars that exemplify the beauty of vehicles designed for speed. Artistry and engineering come together in these functional yet highly crafted works of art.

Photo Finish

June 2 - September 2, 2012

Cars are a pervasive symbol in American art and pop culture. Symbolizing such dichotomous ideas as masculinity and femininity, speed and leisure, industry and nature, the individual and the collective, and the glamorous and the mundane, the automobile lends itself to many interpretations. Photographers have long been inspired by the automobile, attempting to capture and examine its multiple meanings through a lens. This group of photographs from the UMFA's collection showcases the diversity of ways artists have depicted and interpreted the omnipresent automobile.


salt 5: Daniel Everett

March 30 - July 29, 2012

salt 5: Daniel Everett is the fifth in the Museum's series of exhibitions featuring innovative art from around the world. Working in photography, video, and installation, artist Daniel Everett investigates the ways in which the human-made landscape shapes and structures our experience as individuals.


George Rouault: Circus of the Shooting Star / Cirque De L'Etoile Filante

February 3 - May 13, 2012

Artist Georges Roualt was fascinated by the circus, a world where superficial brightness was underscored by overwhelming sadness. The images in his portfolio of etchings, Cirque de l'Etoile Filante (Circus of the Shooting Star), demonstrate Rouault's attempt to strip away the "spangles" of the clown's costume and reveal the "reflection of paradise lost." On loan to the UMFA from the Syracuse University Art Galleries, this exhibition comprises color etchings that introduce the portfolio and wood engravings illustrating Rouault's text. Begun in 1926 and published in 1938, the portfolio was the product of Rouault's collaboration with Parisian publisher and art dealer Ambrose Vollard. Their partnership proved to be one of the most productive in the history of printmaking.

The exhibition is accompanied by a fun-filled family guide and in-gallery activity.


At Work: Prints from the Great Depression

February 10 - May 6, 2012

Organized in collaboration with Dr. Matthew Basso, Assistant Professor of History and Gender Studies and Director of the American West Center at the University of Utah, this exhibition features Depression-era prints focusing on men and women at work, selected from the remarkable collection of Marcia Price and Ambassador John Price. During the years of the government-sponsored Federal Art Project, American printmaking techniques were expanded, and themes of labor were integral to the new print vocabulary. Printmakers, along with other artists, were given an unprecedented sense of purpose when the U.S. government included them in the vast numbers of unemployed workers who could apply for work relief from the Works Progress Administration (WPA).

At Work speaks powerfully to contemporary questions—underscored by anxieties surrounding the great recession—about the place of labor in our lives.


The Faculty Show: Recent Work by The University of Utah Art Faculty

February 17 - May 6, 2012

The UMFA is pleased to present an exhibition of artwork by the acclaimed University of Utah Department of Art and Art History faculty. New works by faculty artists will be on view in the Museum's Great Hall and first-floor galleries. The exhibition reflects trends in contemporary art as well as traditional practices in a variety of media including: ceramics, painting and drawing, sculpture, photography and digital imaging, printmaking, installation, and new media.


Low Lives 4: Networked Performance Festival

Friday, April 27 | 6:30-9:30 pm and Saturday, April 28 | 1:00-4:00 pm
FREE with general admission

Experience the merging of performance and technology in Low Lives 4! The UMFA is pleased to be the central presenting venue for this international festival, which features live performance-based artwork streamed online and projected in real-time at venues around the world. Don't miss your chance to meet Low Lives curator Jorge Rojas and view more than fifty live performance pieces from nine countries, including on-site performances at the UMFA by featured artist Michelle Ellsworth. and


salt 4: Xaviera Simmons

November 18, 201February 26, 2012

salt 4: Xaviera Simmons is the fourth in the Museum's series of exhibitions featuring innovative art from around the world. New York-based Xaviera Simmons uses photography, as well as other mediums including installation and performance, to construct multivalent narratives of collective and personal histories. Simmons's work often references traditions of American landscape painting, exploring depictions of the individual in nature. In her large-format photographs, scenery becomes a central character, harboring the stories of immigrants and migrants. Archetypal figures, like sages and nomads, serve as conduits for open-ended narratives embedded in the land, allowing entrance into, in the artist's words, "other characters, narratives, and geographies." In addition to photography, the exhibition  includes a sculptural installation made of hand-lettered, locally found wooden scraps—materials chosen for their ubiquitous use in vernacular signage—affixed directly to the gallery wall. This tangled matrix of text gleaned from notes, conversation, news articles, folklore, poetry, and literature, forms its own kind of lyrical landscape, imbued with historical and personal memory.


LeConte Stewart: Depression Era Art

July 21, 2011 through January 15, 2012


In an exciting collaboration, the UMFA has teamed up with the Church History Museum to stage the largest exhibition ever mounted of Utah artist LeConte Stewart's work. With a combined total of over 200 paintings and drawings selected from museums and private collections across the west, these joint exhibitions will feature masterworks that have rarely been seen. The shared effort focuses on the most creative and skilled period of Stewart's long career.





September 16, 2011 through January 8, 2012


Containing a diverse range of artworks from around the world, Color explores the relationship of color to artists and audiences. This exhibition utilizes over twenty pieces from the UMFA's permanent collection, using color as a connector across cultures and time. This exhibition includes works by artists Robert Motherwell, Alex Katz, Anna Campbell Bliss, and more. While visiting the exhibition, be sure to use the hands on, in-gallery color collage wall to create your own color compositions. This exhibition is funded as part of the UMFA's Art in a Box program and is presented in conjunction with the debut of the new statewide box, Art in a Box: Color.


Final Light: V. Douglas Snow in Retrospect

August 31, 2011 through January 8, 2012


The Utah Museum of Fine Arts and Salt Lake Art Center are pleased to present Final Light: V. Douglas Snow in Retrospect, a collaborative exhibition celebrating the work of eminent Utah landscape artist, V. Douglas Snow (1927-2009). Museum visitors and long-time admirers will have the opportunity to encounter Snow's large body of work at two local art venues.


Africa: Arts of a Continent

On view through September 4, 2011 


This ambitious exhibition of African art objects drawn from the UMFA’s permanent collection centers on themes of the spirit world and afterlife. Africa: Arts of a Continent explores the spiritual and political power of Central African masks, the magic and mystery of ancestral African sculptures, and the enduring beauty of African objects used in everyday life. The installation debuts of one of the UMFA’s newest acquisitions: a late XXVIth Dynasty Egyptian sarcophagus.


salt 3: Cyprien Gaillard

May 26 - August 21, 2011


salt 3: Cyprien Gaillard is the third in the UMFA's new series of exhibitions that showcase the work of contemporary artists from around the world. The films and installations of French artist Cyprien Gaillard (b. 1980) examine contemporary landscapes and architectural ruins of the recent past, engaging with artistic traditions of Romanticism and Land Art. His work was featured in the 2011 Venice Biennale.


Don Olsen: Abstracts from Nature

December  2010 through August 14, 2011


The exhibition Don Olsen: Abstracts from Nature, on view in the G.W. Anderson Family Great Hall, celebrates the 100th birthday of abstract artist Don Olsen (1910-1983). Throughout the 1940s and 1950s, Olsen's work was misunderstood because it represented a style unfamiliar to Utah audiences. Today, however, he is acknowledged as one of the most influential and gifted abstract artists to have worked in the region.  A student of Hans Hoffmann, Olsen created abstract expressionist works using volume, color, and shapes taken from nature. Large-scale paintings spanning forty years will highlight the most prominent work in his oeuvre.


Helen Levitt Photographs

February 24 through July 17, 2011


One of the great photographers of the twentieth century, Helen Levitt took the activity of city streets as her primary subject, paying special attention to the children for whom the street served as a playground. This presentation of photographs drawn from the UMFA's collection includes representative works from the late 1930s and early 1940s-when Levitt emerged as a key member of the New York School photographers-as well as later photographs from her long and accomplished career.


The Smithson Effect

March 10 through July 3, 2011


The Smithson Effect is the most ambitious contemporary art exhibition ever organized by the Utah Museum of Fine Arts. Through sculpture, video, photography, installation, and sound art, The Smithson Effect will introduce you to twenty-three of the world's leading contemporary artists, whose work is influenced by the legacy of artist Robert Smithson (1938-1973).


CLICK HERE for more information on The Smithson Effect.


Collecting Knowledge: Renaissance Cabinets of Curiosity

January 27 through May 15, 2011


Collecting Knowledge: Renaissance Cabinets of Curiosity explores items that were typically found in cabinets of curiosity in sixteenth and seventeenth century Europe, including prints, books, scientific instruments, and objects obtained through travel. This exhibition examines the people who created cabinets of curiosity, their strategies for classifying and grouping items, and how they used this knowledge to make sense of their world.


During Fall Semester 2010, four graduate students in the University of Utah Department of Art and Art History gained first-hand knowledge of the work involved in creating an exhibition. The result of their hard work is the exhibition Collecting Knowledge: Renaissance Cabinets of Curiosity. The students were advised by Professor Sheila Muller and they worked closely with UMFA staff to complete all necessary steps for curating an exhibition— from developing exhibition themes to selecting the objects; from writing the object label text to planning the exhibition design; and from securing related public programs to creating an effective marketing plan.


Low Lives 3

April 29 • 6-10 pm and April 30 • 1-4 pm


Now entering its third year–and hosted by the UMFA for the first time–Low Lives is an exhibition of works transmitted via the internet and projected in real time at multiple venues around the world. This project was curated by University of Utah alum Jorge Rojas and featured a live performance by New York-based artist Kristin Lucas, organized by UMFA curator Jill Dawsey.


salt 2: Sophie Whettnall

November 18, 2010 through February 27, 2011


salt 2: Sophie Whettnall is the second in the UMFA's new series of exhibitions that showcase the work of contemporary artists from around the world. Belgian artist Sophie Whettnall (b. 1973) works mostly with photography, video, and multimedia installations, yet she was trained as a painter and much of her work retains a rich, painterly quality. Whettnall engages the temporal nature of video as a medium, creating images that inhabit a space between stillness and activity as they develop over time.  Frequently training her camera on the landscape, she explores the relationship between the self and its surroundings in a world of increasing transience and dislocation.


salt reflects the international impact of contemporary art today, forging local connections to the global, and bringing new and diverse artwork to the city that shares the program's name.


Trevor Southey: Reconciliation

October 21, 2010 through February 13, 2011

This retrospective of the life and work of Utah-based artist Trevor Southey gives prominence to four life passages that have defined Southey's character and his art: his youth in Rhodesia and education in England; his life as a married, practicing Mormon and his desire for a utopian lifestyle created around family, farming, and art; Southey's decision to acknowledge his homosexuality in 1982, which coincided with the first major public awareness of the AIDS epidemic; and the reconciliation of his life decisions as expressed in his revised artistic approach to the human form.



Faces: Selections from the Permanent Collection of Modern and Contemporary Art

October 21, 2010 - February 13, 2011

Faces: Selections from the Permanent Collection of Modern and Contemporary Art brings together classic works of Pop Art from the UMFA's permanent collection, as well as more recent works influenced by Pop, with a focus on the human face and figure. Many works in the exhibition take the form of portraits, such as Alex Katz's series of screen prints depicting young people in the 1970s, or ironic self-portraiture, as in Robert Arneson's Untitled Trophy (Bust Of Bob) (1978). Faces also includes a series of Andy Warhol's Polaroid portraits, a recent gift from the Andy Warhol Foundation for the Visual Arts, on view for the first time. Ranging from portraits of the rich and famous-among them, Pia Zadora, Yves Saint Laurent, and artist Keith Haring-to unknown figures, Warhol's Polaroids reveal the idiosyncrasies of his subjects.


Yayoi Kusama: Decades

October 21, 2010 - February 13, 2011

Yayoi Kusama: Decades offers a focused presentation of exemplary works by renowned Japanese artist Yayoi Kusama. A key figure in the New York art world of the late 1950s and 1960s, Kusama's pioneering work has galvanized subsequent generations of artists. From her early watercolor paintings of the 1950s to her "accumulation" sculptures of the 1960s, to recent, large-scale "infinity nets" paintings, the exhibition highlights works from each decade of the artist's long career.


The Ideal Landscape

October 7, 2010 - February 6, 2011

This exhibition brings together thirteen Chinese landscape paintings dating from the Ming dynasty to the twentieth century. These artworks do not recreate a landscape, but instead conjure an ideal scene imagined by the painter. As a result, these depictions of mountains and bodies of water offer expressions of the artist's heart and mind.


Community: Eat, Work, Play

May 6, 2010 - January 9, 2011

Community: Eat, Work, Play is a collaborative exhibition between the UMFA and Lincoln Elementary school. With the help of UMFA educators, first and sixth grade students will create large-scale murals to be installed in the Museum's education gallery. Each group will take on one aspect of the theme, either eat, work or play, and explore visually how that idea is represented in their community.


Painting Utah's Mount Olympus

July 8 through November 14, 2010

Mount Olympus is not the tallest mountain in the Wasatch Range but anyone who has seen this awesome natural wonder will agree with the early pioneers who bestowed it with the Greek name for ‘the home of the gods.' Indeed, Mount Olympus stands today as an imposing, silent sentinel, a powerful symbol of nature's transcendent beauty for the residents of the modern metropolis that has grown at its foot. For the past century and a half, some of Utah's most talented artists [Lee Greene Richards, Gilbert Munger, Edwin Deaken, Anton Rasmussen, David Meikle and others] have attempted to do justice to Mount Olympus...not an easy task for mere mortals and yet through their work, the home of the gods is immortalized in Painting Utah's Mount Olympus.


Las Artes de Mexico from the Collection of the Gilcrease Museum

May 6 - September 26, 2010

Las Artes de México explores the richness of Mexican art and culture, from the ancient work of the Mayans and Aztecs through the twentieth century. The exhibition includes a broad array of artifacts such as woven fabrics, masks, and religious objects from Mesoamerica (pre-Conquest Mexico) as well as paintings by modernist masters like Rufino Tamayo, Jose Clemente Orozco, and Diego Rivera.


salt 1: Adriana Lara

May 6 - September 26, 2010

Concurrent with Las Artes de México, the UMFA announces the launch of an ongoing series of semiannual exhibitions entitled salt, which will showcase work by emerging artists from around the world. salt aims to reflect the international impact of contemporary art today, forging local connections to the global, and bringing new and diverse artwork to the city that shares the program's name. The inaugural salt exhibition features the work of Mexico City-based artist Adriana Lara (b. 1978), whose work explores the relationship between art-making and other more commonplace forms of production. Lara takes the exhibition format itself as an object of inquiry, arranging objects in unexpected, sometimes humorous configurations that foreground and dismantle the conventions of displaying and looking at art.

Lara is part of numerous collective art projects such as Pazmaker, a free distribution zine-like publication, Lasser Moderna, an experimental music band, and "Perros Negros," an art production office that proposes new platforms for discussion and artmaking. She has had solo exhibitions at Artpace, San Antonio, Texas (2009); Gaga Arte Contemporaneo, Mexico City (2008); Galería Comercial, San Juan, Puerto Rico (2007); and Air de Paris, Paris, France (2007). Her work has been included in many group exhibitions, including San Juan Poly/Graphic Triennial, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico (2009); Galerie Isabella Bortolozzi, Berlin, Germany (2009); The Generational: Younger than Jesus, New Museum, New York (2009); and LA MAMAIN ET LA PUTAIN, Air de Paris, Paris, France (2006).


Pablo O'Higgins: Works on Paper

February 18 – September 19, 2010

Experience a selection of lithographs by the late Pablo O'Higgins, an artist dedicated to creating heroic depictions of the working class in revolutionary Mexico. Although he is virtually unknown in his home state of Utah, O'Higgins is remembered and celebrated in Mexico as a true artist "of the people."


The Continuing Allure: Painters of Utah's Red Rock

January 13 - June 27, 2010

To love the western landscape is to embrace the subtlety of a vast and mysterious desert terrain. Among the artists who conquered the obstacles of painting Utah's red rock country were Maynard Dixon, Edgar Payne, and Conrad Buff, just a few of the notable painters represented in this exhibition.


Influences of the Silk Road

November 5, 2009 - April 25, 2010

What do jade, chess, the camera obscura and Hinduism have in common? They were all exchanged on the Silk Road, of course! The Silk Road was a series of routes that crossed through Europe, the Middle East, and Asia from the first millennium B.C.E. through the second millennium C.E. In this alluring exhibition, visitors of all ages can explore objects from the Museum’s permanent collection that either traveled on the Silk Road or reflect the religions, technologies, and goods that were exchanged en route. Families and students will enjoy a treasure hunt through the exhibition and other galleries, get educational insight through an easy-to-use audio tour, and even satisfy their senses at a spice sniff station.


Splendid Heritage: Perspectives on American Indian Art

February 10, 2009 - March 1, 2010

The UMFA is proud to premiere an extraordinary exhibition of cultural and artistic treasures from the John and Marva Warnock Collection. Splendid Heritage presents 149 objects of unique artistry and cultural expression from the Native people of the Northeast and Plains.

For extended information about the exhibition and related programming please click here.


Desert Secrets: Photography from the UMFA's Permanent Collection

On view through January 31, 2010

Desert Secrets presents provocative images of Southwestern deserts, exploring the histories hidden in these vast, seemingly barren and uninhabited spaces. Using both traditional photographic techniques as well as newer forms of digital imaging and surveillance technology, the featured photographers engage themes of technological intrusions into the land; nuclear testing; clandestine military operations; conspiracy theories; and the mysterious appearance of the desert landscape itself.

Desert Secrets will be complemented by Patrick Nagatani's Nuclear Enchantment, a virtual exhibition highlighting Nagatani's work.


Then & Now: Selections from the Permanent Collection of Modern and Contemporary Art

Through September 20, 2009

This exhibition of modern and contemporary art from the UMFA’s permanent collection brings together key works from the last five decades.  The 1960s and 70s saw sweeping changes in society and politics, as well as in the realm of art, with many artists responding to pressing political concerns.  Then & Now highlights parallels between art and societal events both of the past and of our own moment, featuring a special video presentation by acclaimed British artist Phil Collins, entitled baghdad screentests (2002).


Karl Bodmer: Beyond the Frontier

February 27June 21, 2009

Explore the lives of native people and wild landscapes of the American West in this exhibition of large-scale prints by artist and adventurer Karl Bodmer. The exhibition features an original copy of Travels in the Interior of North America, a journal published in 1839 that documents the New World expedition of explorer Alexander Philipp Maximilian through Bodmer's artwork. View impressive aquatint engravings of Bodmer's drawings and sketches, and discover the new nation of America as seen by European explorers.


The Later Works of William Utermohlen

November 1, 2008January 11, 2009

After a long career working as an artist, William Utermohlen was diagnosed with Alzheimer's disease in 1995. The Later Works exhibition chronicles his paintings from his diagnosis in 1995 to 2000 when he lost the ability to create art. A collection of primarily self-portraits, these works provide a visual narrative of the artist's experience with Alzheimer's disease and dementia. The portraits express sadness, anger, anxiety and resignation, and are visually rich, intriguing, and haunting all at once.


An Innermost Journey: The Art of Shauna Cook Clinger

Through February 15, 2009

Remarkable artistic skill, deep-rooted passion and personal revelation fuse to create the body of art in the exhibition, An Innermost Journey by Utah artist Shauna Cook Clinger. The exhibition is a survey and celebration of Clinger's career and artwork, through an evolutionary collection of the artist's large-scale paintings created over the last thirty years.


Art Since 1960: Selections from the Permanent Collection

Through February 8, 2009

This installation of modern and contemporary art from the UMFA's permanent collection brings together key works from the last five decades. The exhibition narrates a succession of diverse movements and styles since the 1960's, emphasizing special concentrations within the UMFA's holdings.


Utah's Premier Artists: 19th Century Selections from the Mark & Nancy Peterson Collection

Through January 2008

The Mark and Nancy Peterson exhibition is comprised of a selection of extraordinary 19th Century paintings from their private collection that spans 150 years of Utah Art. These paintings were collected over a thirty-year period and represent the most important artists and images of this unique frontier period in Utah’s history.


Monet to Picasso from the Cleveland Museum of Art

June 23, 2008September 21, 2008
In summer 2008, the UMFA presented the highly acclaimed exhibition Monet to Picasso from the Cleveland Museum of Art. The show featured 100 years of European masterworks and the UMFA is privileged to be among only four North American venues selected to host this marquee international touring exhibition. The works on display in this show have never been to Utah before.

Crossroads: 5 Perspectives on Art

April 19, 2008May 18, 2008

Five talented artists on the cusp of graduating with a Masters Degree in Fine Arts from the University of Utah- a crossroads in their career- showcase an incredible diversity of work in this 2000 square foot exhibition. Featured artists are Jeremiah Moore, McGarren Flack, Zane Lancaster, Matthew Allred and Sarah Moyer. Their paintings, drawings, photographs and a mosaic offer up a different perspective on art and human understanding. From a painted commentary on our health-ambivalent society to the vibrant and shining tiles of uplifting of a community mosaic, the eclectic works in this mixed-media exhibition offer powerful visual translations of the individual thoughts and experiences of each potential graduate. Join us as we celebrate the creative ability and impressive accomplishments of these up-and-coming artists!


January 25, 2008–April 20, 2008

Motorists zipping along Interstates 80 and 84 in Northeastern Utah are seldom aware they are traveling through what was once one of the most famous landscapes in the world - Echo and Weber Canyons. In 1860 the famed British traveler Sir Richard Burton exclaimed, “Echo [C]anyon has but one fault: Its sublimity will make all similar features look tame.” By the late nineteenth century the canyons of Echo and Weber, Utah, the “Gateway” to the Intermountain West, were considered a veritable showcase of geological phenomena.


March 21, 2008April 24, 2008

Be a part of art, a 14,000 cubic feet art installation to be exact. This art installation will a participatory experience, aspiring artists, knitters- anyone with a desire to be a part of something big will be needed to complete this sculpture, drawing, and installation hybrid.



January 11, 2008April 13, 2008

UMFA is pleased to host a solo exhibition of large-scale acrylic landscapes by well known artist Susan Swartz. Swartz has been painting for over forty years on both American coasts, Southern France and Africa. She was commissioned to do commemorative artwork for the Salt Lake 2002 Olympic Winter Games and was the recipient of the “Mansion Artist of the Year” award by Utah Governor Michael Leavitt. In April 2005 she was invited to be a visiting artist at Harvard Divinity School. In December 2005 she was published in a collectors book by Gibbs Smith titled Painters of the Wasatch Mountains–which illustrates the distinct painting development regarding the American West’s Wasatch Range emergent in the 19th century, succeeding the Hudson River School in the East.

January 19, 2008 - March 29, 2008

When most people think about Abstract Expressionism they think big --- big ideas, big emotions, big action and big scale. Many of the groundbreaking abstract expressionist painters of the post World War II years were famous for pushing the limits of scale, using the canvas as a field (sometimes literally) to act upon. However, this exhibition of about sixty works presents another side of Abstract Expressionist. The artists exhibited in this show created lesser-known, small-scale, paintings of intense beauty that exhibit all the bravura and energy found in their larger and more acclaimed works.


September 2, 2007March 31, 2008

Working with materials from Asia, Africa, Europe, and the Americas, this exhibit explores such key themes as servitude, disguise, false worth (the vain stepsisters), and real worth (at first recognized only by the fairy godmother), as well as such familiar and celebrated Cinderella motifs as pumpkins, shoes, jewelry, and beautiful clothing. Co-curators Virginia Catherall, Megan Hallett, and Audrey Thompson focus on "Masks, Magic, and Mirrors" to highlight questions of self-knowledge and self-deception (mirrors), unreliable knowledge of others (masks), and the wisdom (magic) needed to appreciate real worth.



October 6, 2007December 30, 2007

Picturing the West is an exhibition of over 32 stunning nineteenth century American Western landscape photographs. Featuring works by such artists as Carleton Watkins, William Henry Jackson, Eadweard Muybridge and F. Jay Haynes, Picturing the West allows viewers the rare opportunity to directly compare and contrast different techniques of photographing the Western landscape.



October 4, 2007January 6, 2008

This splendid opportunity to see up close and personal approximately 100 screenprints by internationally acclaimed artist Andy Warhol is not to be missed.



June 9, 2007September 23, 2007

Passion for Form: Selections of Southeast Asian Art from the MacLean Collection, a delightful traveling exhibition will be hosted by the UMFA in the Changing Exhibitions Gallery from June 7 to September 23, 2007. This exhibition showcases the myriad shapes and forms distinct to Southeast Asian art.



June 9, 2007September 23, 2007

Natural Beauty (“Khwaam ngaam thaang tham chaat”) This companion exhibition to Passion for Form runs concurrently in the Changing Exhibitions Gallery, June 7 to September 23, 2007. This exhibition explores the history and tradition of Theravada or “Old Way” Buddhism which is infused in with the culture of Thailand and Cambodia.



April 14, 2007August 12, 2007

What do an American bicycle helmet and a Native American Plains Feathered Headdress have in common? Both are worn for protection. How about a Misango Mayaka Hat from the Democratic Republic of Congo and a Dutch lace cap? Both reveal the wearers’ social status.


April 6, 2007September 9, 2007

A wide variety of audiences will marvel at the artwork and paper engineering of Robert Sabuda. Sabuda’s intricate design and vivid use of color capture on paper a world of enchantment. He illustrates, often writes, and also formulates the special effects for his books.



March 2, 2007May 15, 2007

This video installation by artist Bill Viola is one of four works which comprise the Quintet Series created for the Passions Project. In this work, Viola uses today’s technology to translate the timeless themes represented by artists throughout history, into a new medium.



February 16, 2007July 1, 2007

UMFA is proud to present an exhibition of paintings by celebrated artist Brian Kershisnik of Kanosh, Utah. Kershisnik has earned a nationwide following for his moving and metaphoric paintings of people in moments of quiet transcendence. His works capture both human vulnerability and elation. Nuances in relationships, particularly marriage come through in his paintings.



February 10, 2007March 19, 2007

The Guild of Book Workers 100th Anniversary Exhibition highlights recent works of many of the best bookbinders and book artists in America. Entries run the gamut from traditional bindings and historicstructures, to pop-ups and other playful book forms, to purelysculptural works. Leather bindings stand alongside works fashioned from aluminum or PVC. Text and imagery are produced by numerous printmaking methods, calligraphy, photography and digital output. This exhibition is presented in conjunction with the Marriott Library Book Arts Program.



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